114 Responses to “Poetic Lyrics”

  1. Mukunda Charan Says:

    To see a world in a grain of sand
    and heaven in a wild flower -
    to hold infinity in the palm of your hand
    and eternity in an hour
    (William Blake)


  2. IN A DARK WOOD

    The atmosphere is peaceful
    in Goloka Vrindavan -
    The flute-song passes
    over courtyards where
    young girls stand still as stone…

    -

    The trees are ripe with metaphors,
    Novel scenes, poetic words,
    Whisper secret revelation
    Of young love in separation

    For these are the Crying Girls of Vraja
    And this is the state, the state of Divine Love

    ‘It’s late at night My dear girls,
    Late at night in this dark grove,
    Wild animals come out at night,
    Please go home. Leave this place behind you’

    For these are the Crying Girls of Vraja
    And this is the state, the state of Divine Love

    Lord Krishna loves the Crying Girls of Vraja

    aslisya va pada ratam pinastu mam
    adarsanam mama hatam karotu va
    yatha tatha vidhato lampato
    mat prana-nathas tu se eva naparah

    All alone, here in this Dark Wood,
    ‘Where did You go?’

    Copyright – Mukunda Charan


    1. The gopis had forsaken everything to meet with their lotus-eyed Lord, Krishna. They went into Vrindavan forest in the dead of night.

      They were so attracted by the sound of His flute-playing, but when they reached Him, He said, ‘It is late at night, My dear girls. Wild animals are out at night. Please go back home, back to your husbands.’

      The gopis were devastated. Their love for Krishna was unparallelled. We have risked everything to be with You; and now You are turning us away!?

      These are the crying girls of Vraja and this is the state of divine love.

      -

      ‘The gopis are so fortunate that they can see and think of Krishna 24 hours a day, beginning from their milking the cows or husking the paddy or churning the butter in the morning. While engaged in cleaning their houses and washing their floors, they are always absorbed in thought of Krishna’ [p.395]

      Krishna, out of affection, told the gopis: ‘You were accustomed to loving Me from the very beginning of your lives’

      How the inhabitants of Mathura, Nanda and Yashoda, the gopis, the gopas and the devotees remembered Krishna: ”Here Krishna was playing in this way. Here Krishna was blowing His flute. Krishna was joking with us in this way, and Krishna was embracing us like this’. This is called lila-smarana, and it is the process of associating with Krishna. Those in the most exalted position of devotional service and ecstasy can live with Krishna always by remembering His pastimes. Srila Visvanatha Cakravarti Thakura has given us a transcendental literature entitled Krsna-bhavanamrta, which is full with Krishna’s pastimes. Exalted devotees can remain absorbed in Krsna-thought by reading such books. Any book of krsna-lila, even this book, Krsna, or our Teachings of Lord Caitanya, is actually solace for devotees feeling separation from Krsna’ [KB p.416]


      1. Inspired by Siva Rama Swami’s ‘Venu Gita’ (‘The Flute Song’).


  3. RUKMINI’S DETERMINATION

    Rukmini is young
    and fine -
    the child-bride
    of Lord Krishna

    She was prepared to die
    of austerities to achieve Lord Krishna

    She went to the Temple of Durga
    to win the favour of Lord Krishna,
    ‘O, let Krishna be my husband!’

    Rukmini’s determination

    So hard to define -
    Grave as eternal time,
    the child-queen of Lord Krishna

    Ornaments
    and beautiful jewels.
    Who could ever describe
    the beauty
    of Rukmini?

    Copyright – Mukunda Charan


    1. ‘Princess Rukmini, the daughter of King Bhismaka, was actually as attractive as fortune itself because she was as valuable as gold both in color and value’

      (A.C. Bhaktivedanta Swami Prabhupada, Srimad Bhagavatam 3.3.3 purport)

      ‘She was the reservoir of all transcendental qualities: intelligence, auspicious physical features, liberal-mindedness, exquisite beauty and righteous behaviour’ ['Krishna Book Vol 1', p.495]

      ‘My dear Uddhava, kindly let us know whether Krishna sometimes thinks of us while in the midst of the highly enlightened society girls in Mathura. We know that the women and girls of Mathura are not village women. They are enlightened and beautiful. Their bashful smiling glances and other feminine features must be very pleasing to Krishna. We know very well that Krishna is always fond of the behaviour of beautiful women. It seems, therefore, that He has been entrapped by the women of Mathura. My dear Uddhava, will you kindly let us know if Krishna sometimes rememvers us while in the midst of other women?’ [KB, p.439]

      On the gopi’s love for Krishna:

      ‘Uddhava minutely studied the transcendental abnormal condition of the gopis in their separation from Krishna, and he thought it wise to repeat again and again all the pastimes the gopis enjoyed with Him’ [Krishna Book 1, p.441]

      ‘Uddhava’s messages and instructions saved the gopis from immediate death’ [KB, p.44]


  4. DANCE OF THE RAIN

    Never was there a time
    when you or I did not exist
    nor in the future
    shall any of us ever
    cease to be

    Her iron fist
    beats my face,
    with pride of lions,
    aggressive grace -
    In the heartland of love’s
    bittersweet memory

    Bittersweet, Bittersweet

    Ever heard the wild beasts
    running on the plains?
    Dance of the Rain,
    nostrils and manes -
    In the heartland of love’s
    bittersweet memory

    Bittersweet, Bittersweet

    Have you heard the wild beasts
    running on the plains?
    Of aeroplanes,
    mortal remains -
    and I’m lost in the womb of bhum-bhum-bhumi

    I’m lost in the womb of bhum-bhum-bhumi -
    I’m lost in a world of lovelessness

    Never was there a time
    when you or I did not exist
    nor in the future
    shall any of us ever
    cease to be

    I’m lost in the womb of bhum-bhum-bhumi

    In a desert
    hardened by age:
    blood, sweat, idolatry

    A show of conventions:
    the circus tents
    collapsed on us,
    white alabaster palaces

    And I’m lost in her world

    She laughs softly
    as she glances
    over the berg-top

    O, the Dance of our Sister!
    the Dance of the Rain!

    She is our sister,
    our silvery sister,
    our watery sister,
    our heavenly sister

    The Dance of the Rain

    Copyright – Mukunda Charan


  5. DEAD SOULS

    Someone take these dreams away,
    That point me to another day -
    A duel of personalities,
    That stretch all true reality

    They keep calling me, keep on calling me

    When figures from the past stand tall
    And mocking voices ring the halls -
    Imperialistic House of Prayer,
    Conquistadores who took their share

    They keep calling me, keep on calling me

    Another day, another time -
    These dreams won’t stop or rectify -
    They pour into a living sea,
    Which draws me and keeps calling me

    Calling me, calling me this time…

    (From the song lyrics of ‘Dead Souls’, words written by Ian Curtis, lead singer of Joy Division. The third stanza is from an unreleased version of the song. Did he get the title from Nikolai Gogol’s novel ‘Dead Souls’?. Anyway quite an intense, interesting song. Still remember the lyrics. I’ll put ‘Passover’ in next time. In her biography ‘Touching From A Distance’ his widow, Deborah, mentions that Ian was interested in studying History and Divinity. This interest manifested in interesting ways in his poetic song lyrics.


    1. THE RAGE OF ACHILLES (From Homer, ‘The Iliad’)

      ‘Rage – Godess, sing the rage of Peleus’s son Achilles,
      murderous, doomed, that cost the Achaeans countless losses,
      hurling down to the House of Death so many sturdy souls,
      great fighters’ souls, but made their bodies carrion,
      feasts for the dogs and birds,
      and the will of Zeus was moving toward its end.
      Begin, Muse, when the two first broke and clashed,
      Agamemnon lord of men and brilliant Achilles’


    2. YOU AND WHOSE ARMY? (KINGDOM OF HEAVEN)

      Come on, come on
      You think you drive me crazy

      Come on, come on
      You and whose army?
      You and your cronies

      Come on, come on
      Holy Roman Empire,
      Come on if you think,
      You can take us all on

      You and whose army?
      You and your cronies

      You forget so easily –
      We ride tonight
      Ghost horses, ghost horses

      (Thom Yorke, Radiohead)

  6. Mukunda Charan Says:

    SOME/ONE

    You’re not high-heeled,
    custom-made, made for this,
    eloquent, elegant, hit-or-miss;
    star-struck, out-of-luck,
    out on a limb –
    Luis Vitton
    animal skin

    some/one

    a person,
    not void -
    you’re a person,
    not void

    you’re someone
    who knows
    someone who feels

    You’re not dead-beat, dead-meat,
    dead-or-alive, dead-on-arrival,
    full fathom five -
    You’re not carefree,
    careworn, couldn’t care less -
    you’re spirit-soul
    this body’s your dress

    You’re

    some/one
    some/one

    someone like you,
    like me…

    some/one
    one/some

    someone

    you’re a person,
    not void –
    a person,
    not void

    some/one

    Copyright – Mukunda Charan

  7. Mukunda Charan Says:

    WITHIN

    True love lies within,
    The core of your heart -
    It was always there -
    But you never cared…
    True love lies within

    Is this where the tables turned?
    Is this where the lyres burned?
    Where they dressed Christ like a king?
    With a sceptre, crown and ring?

    True love never ends
    and never begins -
    True love never ends
    and never begins

    Dressed in blue silk,
    She holds her son -
    Naked and bruised:
    ‘What have you done?’

    Within

    True love lies within,
    The core of your heart -
    When rightly reposed,
    love houses a rose

    Within

    Copyright – Mukunda Charan


    1. nitya siddha krishna-prema,
      sadhya kabhu-naya,
      sravanadi suddha-citte,
      karaye udaya

      ‘Love of God is eternally situated in your heart. It is awakened by the process of chanting and hearing His glories.’

      It was always there, but you never cared…


      1. Love of Krishna is not something to be gained from another source. It is awakened when the heart is purified by hearing and chanting.


  8. ‘Avenues all lined with trees/
    Eden’s garden left for thieves’

    (Ian Curtis, unpublished lyrics)


  9. I NEED TIME

    Twenty-four hours is not enough
    Time for me, my lotus-eyed Lord -
    Twenty-four-seven Three-sixty-five,
    Eight million four hundred thousand lives

    I need time

    Time I am destroyer of worlds -
    Destroyer of worlds

    Seven days on the Ganges shore,
    Seven dog-days I need more -
    Seven years times seven times
    Seven million billion lives

    I need time
    Don’t waste my time

    Time I am destroyer of worlds -
    Destroyer of worlds

    I tried rhyme
    I tried crime
    Lyrical lines

    You’re just in time,
    You’re just in time,
    You’re just in time…

    Copyright – Mukunda Charan

    (This is a song about Maharaja Parikisit and his meeting with Sukadeva Goswami on the Ganges shore)


  10. DEAD MAN WALKING (Dedicated to His Holiness Bhakti Tirtha Swami)

    Received notification
    August 5th

    The doctor’s answer,
    diagnosis cancer -
    tough love manifesting
    as God’s gracious gift

    I can’t seem to distinguish
    the wood from the trees

    I see your army
    is coming for me,
    I try to run,
    but I freeze

    Woke up this morning
    from the strangest dream

    I saw a poet
    in a forest,
    he spoke to me
    about heavenly things

    ‘Just try to love God,’
    is all that he said:
    ‘You’re a dead man walking
    amongst the dead’

    Fools rush in
    where angles fear to tread

    ‘Follow your angels’, he said

    ‘You’re a dead man walking
    amongst the dead’

    I’m – a – dead man – walking
    amongst the dead…

    Copyright – Mukunda Charan


  11. ADVENT

    Earth was confused -
    Demoniac kings
    Had misused
    Her

    She took the form
    Of a cow,
    With tears in her eyes,
    She approached Brahma

    Who sat at the shore of the Ocean of Milk,
    Who sat at the shore of the Ocean,
    The Milk Ocean

    Reciting the Ancient Prayers,
    From the core of his heart,
    Lord Vishnu Appeared

    Transmitting the message
    From the core of his heart -
    Transmitting the message
    From the Spiritual Sky
    To our ear drum…

    Copyright – Mukunda Charan


    1. Calm as I walk
      under the trees
      this fine Summer’s
      day

      Scars spin around
      on their tracks

      Stations of the Cross


  12. Hare Krishna
    Hare Krishna
    Krishna Krishna
    Hare Hare
    Hare Rama
    Hare Rama
    Rama Rama
    Hare Hare


  13. ‘The vase, reconstructed, houses the elusive rose’ (Sylvia Plath)


  14. JOURNEY OF THE HEART

    Better than mother’s love,
    a voice whispers, ‘Listen.
    Listen to the promptings
    of your heart. Listen to
    the voice that you forgot’

    Listen

    From the valleys
    to the cities
    of the plains,
    I remain
    a wanderer,
    just following my inner call,
    just following the will of the Lord

    Of rapine and the ever-swelling
    scourge of crime -
    I have a problem with this,
    Oh, I have a problem with this

    Embezzlement, embattled president,
    his face is everywhere -
    Tell me has he got a heart?
    Tell me has he got a heart?

    I have a problem with this


  15. LORD DESPAIR

    Let us go, then,
    you and I –
    the city-limits
    never seem to end

    No one is here,
    just you and I, dear,
    see the heart
    behind the face -
    of Lord Despair

    We’re moving fast,
    red-brick and empty lots -
    our vizors reflect
    a world of rejects,
    everywhere

    Every dog has his day,
    everyone has his price,
    his way to make you pay,
    in this place

    Fools rush in
    where angels fear to tread,
    I see dead men walking
    amongst the dead

    Let us go,
    you and I,
    to that most intimate place:
    the heart behind the face
    of Lord Despair

    Copyright – Mukunda Charan


    1. Let us go then, you and I,
      to the heart of our emotions


  16. THE WHITE GODDESS

    Sink or swim in the light of pure love of Godhead

    We were so close like best friends or brothers,
    We were so close and from different mothers -
    Exult in the light of pure – love – of – Godhead,
    Sink or swim in the light of pure love of Godhead

    I’m just a man sitting in a corner,
    hoping to pass just one glass of water -
    I’m not a bear sitting on a dark ledge,
    Or a fake flower in the hands of the Goddess

    Why did you let me go?
    Why won’t you let me grow?

    The path of love is superior to knowledge,
    You left your father’s house for the spiritual college -
    Seeing my weakness, seeing my failings,
    Tying me down and hurting my feelings

    I am an eternal servant of Krishna -
    Hoping to get just a little bit closer,
    I’m an ax handle in the hand of my Master -
    I’m not this body which is made up of matter

    Why did you let me go?
    Why do you hurt me now?


    1. Keeping me in your tow

      Prostitute-minds on the altar of science
      Your soul’s become a kitchen appliance

      Is this what you wanted? Is this your eden?
      Strip-malls and cars of consumable freedom?


  17. CHRYSALIS

    Look out of the darkness, now,
    It’ a new day, friend -
    Dreams out of the darkness, now,
    Into a newborn day, you see,

    He wants to get out, somehow -
    These prison walls must break,
    He wants to get out, somehow -
    These dreams must end

    Trapped, in a cage, somehow -
    There seems no escape from it -
    Entombed, in a chrysalis,
    when will his day of freedom come?
    When will he be free?

    He wants to see the free light and the spirit -
    And the force that lies within it

    Look out of the stasis, now -
    It’s a living world, my friend,
    Move into new spaces, now -
    Safe, in a chrysalis, before

    You want to get out, somehow -
    These prison walls have got to break,
    You want to get out, somehow -
    These dreams must end

    Trapped, in a cage, somehow -
    There seems no escape from it,
    Entombed, in a chrysalis,
    When will your day of freedom come?
    When will you be free?

    He wants to see the free light and the spirit -
    To see the free light and the spirit -
    And the force that lies within it…

    Copyright – Mukunda Charan


    1. ‘The need of the spirit soul is that he wants to get out of the limited sphere of material bondage and fulfill his desire for complete freedom. He wants to get out of the covered walls of the greater universe. He wants to see the free light and the spirit. That complete freedom is achieved when he meets the complete spirit, the Personality of Godhead’

      (His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, ‘Srimad Bhagavatam’ Canto 1.2.8 purport)


      1. ‘But more importantly, I saw that I had built a wall around my heart. I would not let myself feel. I was pissed off and I was angry and I was ashamed, thinking that I had betrayed him. But then I saw that he was right there with the wall of my heart, in the wall, on both sides of the wall; the wall meant nothing to him. I saw that he hadn’t really left me, and I was feeling all this stuff I wouldn’t previously let myself feel. And then I saw that I could take this wall down, this external wall, and let him stand in its place’

        (Krishna Das on his guru Neem Karoli Baba, from Steven Rosen’s book ‘The Yoga Of Kirtan’, p.26


      2. If we develop our relationship with Krsna, we will forget so-called friendship, society and love. We want that forgetfulness.

        ‘Because he realizes that he is spirit and Krsna is the Supreme Spirit, he knows that his intimate relationship should be with Krsna, not with this body’ (Srila Prabhupada, ‘Nectar Of Devotion’, p.32)

        How do we get out of the darkness of Maya? In the dark we are scared of snakes and scorpions. As soon as it is light, however, we know there are no snakes and scorpions. We get out of the dark by seeing the light. This is achieved by chanting the Hare Krishna mantra and by hearing about Krishna.


      3. Seeing The Free Light And The Spirit:

        ‘The duty of sages and saints is to go from door to door and thus enlighten the householders in spiritual knowledge. Householder life is compared to a dark well. In a dark well the frog cannot see the free light of the open sky. The dark well of householder life kills the soul. One should therefore get out of it so that he may see the light of spiritual vision. Saints and sages mercifully try to uplift fallen souls from the dark well of householder life. An enlightened householder [ie. not in the well] therefore takes pleasure in the appearance of such saints and sages at his house’ (SP, ‘Light Of The Bhagavata’, p.46)

        ‘The forgetful householder life of the conditioned soul is a soul-killing dark well’ (SP, ‘LOB’, p.51)

        (See also: SB 6.1.52 and SB 3.21.31 purport)


  18. PROTECTIVE FEELINGS (In loving memory of Evelyn Nance Osborne, 1929-2004)

    She closed her eyes,
    I was surprised,
    She left this morning

    She closed her eyes,
    I’d really like
    to have you near me

    She went away,
    Where to? Can’t say -
    She died this morning

    Can you hear me?
    Hear me calling out.
    ‘Oh, Lord please hear me!’

    Her eyes are closed,
    Her soul’s reposed,
    In the hands of Yamaraja

    Everything she ever knew,
    Everyone she cared about -
    Everything she held as true,
    proves false, now, as her time runs out

    Our idols crushed -
    Ideals, defeated -
    In the web of time -
    Lifetimes repeated

    The state of mind
    at the time you die,
    determines your next life

    She closed her eyes,
    I was surprised
    to hear their story

    Offered a prayer
    beside her bed -
    life’s fruitless glory

    I want to cry -
    We never die -
    Only this body

    Copyright – Mukunda Charan


    1. A MESSAGE FROM GOD

      I’m sick of staring at your miserable face -
      this phenomenal world gets me down,
      I want to leave this town,
      don’t you know we passed the town

      It overwhelms me,
      it overpowers me –
      turn down the radio,
      internet and dvd
      and dance in my mind

      Life feels like torture when you face death -
      Will the fever come down?
      With the very last breath?
      A compact with the devil,
      I see your heart break.
      Is this what it’s like,
      with everything at stake?

      I had a vision
      of how things could be
      I had a vision
      now it has gone

      What is this?
      A message from God?


  19. LOVE IN A VOID

    Someone
    please come,
    I’m dumb,
    lame and
    ill-advised

    Someone’s
    loved ones
    died yesterday -
    It was the latest news

    Where do they go?
    Where do they go?
    When they die,
    Oh my!

    Heaven
    was fun -
    hell was a drag,
    Now I’m back
    on earth

    Where the prophets pray,
    the children play,
    in a world of their own

    I feel high,
    I feel light,
    I feel loved -
    Love in a void

    Bliss suns,
    Pink suns,
    Bright purple ones…
    On a mild red, raptured heart

    Where do you go?
    Where do you go?
    When you go away?

    Oh,
    Up and down,
    around around -
    I’m here again

    I feel high,
    I feel light,
    I feel loved

    How many times
    you’ve been around -
    the wheel of birth and death?
    Death in every breath

    Love in a void

    Copyright – Mukunda Charan


  20. PATHFINDER

    I was in a dark wood,
    Feeling misunderstood -
    One foot on land -
    One foot on water

    I was in a bad space,
    Bereft of divine grace -
    Midway through life,
    Gave Kali no quarter

    A believer, a believer, a be-lieve-er

    Europe or India,
    India or America -
    I need a leader
    With good credentials

    Searched in the crowd,
    I tried to make you out -
    ‘You’re a good kid,
    I think you got potential’

    A believer, a believer, a be-lieve-er

    Oh, when will you give me your answer?

    I’m hoping,
    I’m waiting,
    I’m waiting
    And hoping

    For your answer…

    Copyright – Mukunda Charan


  21. SPIRITUAL FIELDS

    Lost and found,
    underground -
    sunflower fields
    shine in the sun

    Prabhupada lived
    in this little hut -

    Spiritual Fields

    Matchless gifts,
    Twenty-six,
    Second Avenue,
    New York City

    He lived in this
    little room -

    Spiritual Fields

    Fields of opportunity,
    Fields of self-discovery,
    Fields of immortality,
    Fields of true recovery

    He looks through the grid
    at the sunflower fields -

    Spiritual Fields

    Come and play with us,
    Come and stay with us -

    Spiritual Fields

    Death is the seed
    from which we grow

    Spiritual Fields

    Copyright – Mukunda Charan


  22. FORCEFIELD

    Yes,
    You are lost in this world

    Friend,
    Time will beat you
    in the end

    Forcefield
    (behind the glass)

    Forcefield
    (a mirror-mask)

    Watching life
    before
    a forcefield

    And you think you are so clever now -
    And you think you have it all worked out

    Friend,
    you’re so wrong,
    detached,
    yet dragged along

    Watching the world through a forcefield


  23. CXXIX

    Th’ expense of spirit in a waste of shame
    Is lust in action, and till action lust
    Is perjur’d murd’rous, bloody, full of blame,
    Savage, extreme, rude, cruel, not to trust,
    Enjoy’d no soone but despised straight,
    Past reason hunted, and no sooner had,
    On purpose laid to make the taker mad;
    Mad in pursuit, and in possession so,
    Had, having, and in quest to have, extreme,
    A bliss in proof, and prov’d, a very woe,
    Before, a joy propos’d; behind, a dream.
    All this the world well knows, yet none knows well
    To shun the heaven that leads men to this hell.

    William Shakespeare – Sonnets


  24. RESTORATION OF THE ICON

    An eternal affair,
    of repeated birth and death;
    Of warm delights in nature’s arms,
    and no reprieve for the condemned
    souls who’ve entered her networks
    of desire – vaulted – ushered in -
    souls under skin – a blazing cage of fire -

    And I’m with you
    (And I don’t know what to do)

    Did she murmur a prayer?
    A reprieve for the condemned?
    Upon her lover’s arms
    memory of heaven’s charms

    And I don’t know if I can make it
    hmm – on my own –
    No, I don’t known if I can make it
    anymore

    I’m here with you
    (and we don’t know quite what to do)

    I guess all good things must end -
    here’s to good times spent with you, dear friends;
    Of the souls who’ve entered
    her networks of desire -
    leaving us no choice:
    follow the angels or
    fry in the fire

    And I’m with you
    (In our moment of truth/our involvement with truth/we’re all under Your roof)

    This body’s a beautiful combination of ugly parts,
    Just a beautiful combination of ugly parts -
    It was a beautiful conversation,
    a – real – work – of – art -

    And I don’t know if I can make it – anymore,
    No, I don’t no if I can take it – the further I go,
    The further I go, the less I know -
    The higher I go, so narrow the road…seems
    for a soul entangled
    in the networks of desire

    Fools rush in where angels fear to tread,
    I’ve learnt my lesson, now,
    in a wasteland of regret;
    Of the souls who’ve entered
    her networks of desire -
    enjoyer and enjoyed,
    eternal victims of that witch called Maya

    Hey, we don’t know what to do

    Just a beautiful combination of beau-tiful parts -
    The restoration of the icon,
    The lost form of God

    And what if all these fantasies were real?
    What if this suffering was part of the deal?
    And the cancer ravages his body – but not his soul,
    And the caretakers minister to his body – but not his soul

    This is the end my beautiful friend,
    This is the end beautiful friend…
    The end of our affair
    of repeated birth and death…

    Copyright – Mukunda Charan


  25. YOUR LOVER

    I want to love You like a lover
    loves her paramour
    and holds You in her anxious arms
    forevermore

    I want to love You like a mother
    loves her child
    and if, one day, You stole the butter,
    I’d just smile

    A convict,
    A convert,
    In the world of pain,
    the world of hurt,
    take me away,
    to a better place,
    of love, love, love

    You have a face
    that mirrors could not describe -
    You have a form
    that chisels could not divide

    I want to love You
    like the most intimate friend,
    and play with You in fields
    that never end…

    A convict,
    A convert,
    in the world of pain,
    in the world of hurt,
    take me away,
    to a better place,
    a world of love, love, love

    Copyright – Mukunda Charan


    1. In Krishna consciousness, it is possible to love God as a friend, parent or lover. Krishna is the perfect lover who can reciprocate with our soul’s innermost desires. Therefore He is called ‘akhila-rasamrta-murti’, ‘the perfect embodiment of all loving relationships’.

      ‘All the relatives of the Lord are His devotees only, and they are situated in different transcendental mellows as friends, parents and lovers. The Lord derives transcendental pleasure by accepting services from His various grades of devotees, who are situated in various grades of rasas. These transcendental rasas are pervertedly reflected in the material atmosphere, and thus the spiritual living being, out of ignorance only, vainly seeks the same bliss in matter’

      A.C Bhaktivedanta Swami – Light Of The Bhagavata p.71

      The living entity is ananda-maya bhyasat, naturally pleasure-seeking. Real pleasure exists in spiritual rasa. In material existence, however, we seek pleasure in matter and do not experience the higher taste or spiritual rasa.


  26. In a desert, hardened by age,
    surprised if I can do anything at all


  27. SECRET

    a secret to keep,
    like time,
    dark and deep -
    where do we go?
    who really knows?

    a deathless dream,
    a sleepless sleep -
    in birth and death,
    O weep and weep!


    1. I’m not a stone -
      I have a voice

      I’m spirit-soul
      made up of choice

      Love or lust?
      Who really knows?
      This is the world
      of soft death-blows


  28. A MODEST PROPOSAL

    An eye for an eye,
    A tooth for a tooth,
    A claw for a fork,
    A foot for a hoof,
    Some animals were human,
    In their past lives -
    You are what you eat,
    In the future desired

    Absolute is sentient,
    Thou has proved,
    Impersonal calamity,
    Thou has moved

    An eye for an eye,
    A tooth for a tooth,
    A modest proposal:
    Children for food?
    It might be better
    If the whole world were blind -
    Who wants to see
    with envious eyes?

    Copyright – Mukunda Charan


    1. The English satirist Johnathan Swift wrote a satirical essay called ‘A Modest Proposal’. In this essay, he proposed a satirical solution to the famine in Ireland – children for food. We are allowing the wholesale slaughter of animals to go on without considering the consequences – to the animals and ourselves. In this way, we are killing our own souls. Hare Krishna.


  29. In one dream, my father was asking me what I wanted to do with my life. Bono Vox was some distance down a dust-road. I quoted Coleridge to my father: ‘In Xanadu did Kublai Khan a stately pleasure dome decree…’ and walked off…I wanted to follow in Bono’s footsteps. It was something like James Dean. Rebel archetypes.


  30. HATS

    1996. Another dream. I was standing on a beach. The water was blue, that deep blue colour of toilet freshener (for want of a better description). Some horses were dancing in a circle on the tide-line. A woman, somewhat older than myself, in a rain-jacket, was watching the scene. There were a whole lot of hats in the sea, being washed onto the shore by the tide. One hat was a soldier’s hat, one hat was a Mad Hatter’s hat etc. The hats all represented some designation, some kind of label in this world. It seemed that I had a choice of which hat to wear (or how to identify myself). I chose none. I was not going to be pigeon-holed into a designation.

    In so doing, I was realizing my dharma as an aspiring devotee of Krishna. That goes beyond these temporary designations or upadhis. Only I didn’t know that at the time.


  31. ‘Candy says:
    I’d like to know completely,
    What others so discreetely,
    talk about
    I’d like to watch the blue bird fly,
    over my shoulder -
    I’d like to watch them pass me by,
    maybe when I’m older -
    What do you think I’d see,
    If I could walk away from me’

    Lou Reed – ‘Candy Says’


  32. PURGATORY

    I love you still,
    even as you are -
    watching the boys through my window -
    estranged, in the car.

    I love you still,
    even as you are -
    shattering tumult
    that sprays and chills -
    bloodied heels under evening-star

    Doctored these seams,
    beginning to cut,
    tried to sever the cord,
    our viaduct -
    A device I could not resist

    They go deep, now, deep;
    as waves effervesce -
    shouldered in shades
    beneath the green -
    senses scattered and scarred,
    young hearts pristine…

    Still estranged…
    in the car -
    and our dormant love
    bleeds still,
    even as you are


    1. Wrote that when I was fifteen or sixteen. It’s about isolation, death, youth, my mother, teenage angst and whatever you, or I, or anyone else, would like to read into it.


      1. CONDITION

        The sunlight taunts me more -
        not for that you know the sadness
        of your predicament, but that you care…

        Immutable congress of friends -
        a lyric that lasts for ever,
        sequential to all ends

        Matters of state are matters of weight:
        Leaning over the balustrade,
        I seek not shade, nor display -
        I was sorry a long time ago

        Innocence is the absence of tragedy;
        tragedy is the absence of innocence;
        Innocence of Eternal Absence is Tragedy

        The sunlight taunts me more,
        not for that you know

        (Another high school poem. I think I read a little Eliot then, black. Harrison Ford, ‘Presumed Innocent’, the courtyard scene – was added later)


  33. I WOULD DIE FOR YOU

    I’m not a woman,I’m not a man -
    I am something you will never understand
    I’ll never beat you, I’ll never lie,
    And, if you’re evil, I’ll forgive you by and by

    For you, I would die for you -
    Darling if you want me to

    I’m not your lover, I’m not your friend,
    I am something you will never comprehend -
    No need to worry, no need to cry -
    I’m your messiah and you’re the reason why

    Coz you, I would die for you

    You’re just a sinner I am told,
    Be your fire when you are cold -
    Make you happy when you’re sad,
    Make you good when you are bad

    I’m not a human, I’m a dove -
    I’m your conscience, I am love


  34. Lyrical lines by Prince. My mother gave me the album ‘Purple Rain’ for Christmas, in 1984. She really liked the song ‘Purple Rain’. I liked ‘Take Me With You’, this one and ‘When Doves Cry’. ‘I Would Die 4 You’ seems to have a more conscious message than the others. The words are great.


  35. Favourite passages in western fiction. I like James Joyce’s ‘Ulysses’ beach episode: ‘ineluctable modality of the visible: thought through my eyes’. Wonderful stream-of-conscious imagery of the beach and his impressions thereon. I visited Sandycove and saw the Martello Tower in 1991. Also, Tolkien’s ‘The Hobbit’, especially the chapter called ‘Riddles In The Dark’. Bilbo defeats Gollum at riddles with the simple question, ‘What’s in my pockets?’ ‘What’s in my pocketses?’, Gollum hisses back. But he can’t answer (even though it is his precious ring that is in Bilbo’s pocketses), and he is defeated. Then, of course, ‘Winter Trees’, ‘Ariel’ and ‘The Colossus’ by Sylvia Plath. And Nikolai Gogol’s desk-clerk in the short story, ‘The Overcoat’. The protaganist is robbed of his one-and-only valuable possession in an empty town square at night. What else? Hamlet’s soliloquy in the graveyard. Or, Ophelia’s madness. Or Eugene Marais’ ‘Winternag’ or ‘Die Dans Van Die Reen’ or Ingrid Jonkers ‘Ek Loop Met Hulle’. Or the wonderful period prose of JM Coetzee’s ‘Foe’. Or the fearsomeness of ‘Lord Of The Flies’ or ‘The Wasp Factory’ by Iain Banks. I think all of these writers, and more, have helped shape my own writing, perceptions and expression.

    Existential Writers:

    Camus, The Outsider; Dostoevsky, The Idiot, The Brothers Karamazov, and Crime and Punishment; Yukio Mishima, The Sea Of Fertility, Sun and Steel, Thirst for Love and Forbidden Colours; Milan Kundera, The Unbearable Lightness of Being and The Farewell Party; James Joyce, Portrait of the Artist as a Young Man, Dubliners, Ulysses and Finnegan’s Wake; J.M. Coetzee, Foe, Waiting For The Barbarians, The Master of St. Petersburg and Age of Iron; Sylvia Plath, Crossing The Water, Ariel, Johnny Panic and The Bible of Dreams, The Bell Jar and Journals; Schopenhauer’s Essay on Suicide; Nabokov’s biography of Nikolai Gogol. Robert Graves, The White Goddess. Most of these writers had problems.

    Western Philosophy:

    Plato, The Republic; Diogenes, Kant; Nietsche, Genealogy of Morals, Thus Spake Zarathustra, Twilight of the Gods and Beyond Good and Evil; Wittgenstein, Tractatus logicus-philosophicus; Foucault, The Order of Things, Madness and Civilization, Ethics and Discipline and Punish.

    Satire:

    Juvenal. Pre-established congruence between Classical Rome and present-day western world (post-modern view).

    Swift. ‘A Modest Proposal’ and Gulliver’s Travels.
    Burroughs.


  36. Oh, I stopped reading fiction when I joined the Temple in 1997. A strict diet of Srimad Bhagavatam and Caitanya Caritamrita. I did, however, read Hamlet around 2001. Interesting and philosophical, but it gave me a headache (same applies if I try to listen to Joy Division or any other ‘mundane’ music).


  37. They are all like ink drawings.
    Restoration of the Icon required, I’m afraid


  38. EMBASSIES (Hatfield, Pretoria, 28 October 2005)

    I walk down the streets
    coated with soft, purple
    flowers, well-kept lawns,
    the pavements of dawn

    Avenues of the wealthy
    who represent the poor

    I see nice cars and servants,
    steep driveways
    and fences

    A cur,
    foraging through
    the dirt-bins

    It occurs,
    we are living
    in a garden
    with walls
    separating us
    from each other

    ALL SYSTEMS IN PLACE

    I want to take over your country.
    Is it about being aggressive enough
    and having a little money?
    Or popular support?

    I want to. But I’ll have to wait
    until the systems are in place:
    study abroad, live in a resort
    and patiently, patiently wait…


  39. UNCOMMON STREETS (To Srila Prabhupada)

    Are the common streets of Calcutta any less potent than the halls and places where you preached abroad?

    I guess they have significance
    and potency because here
    is where you chanted
    under a tree; or here
    is where you practised
    severe austerity
    in a dim-lit, grimy loft
    in New York City slums;
    here is where you banged the drum;
    or danced to the beats of one you taught

    Are these halls and scholar’s desks of more value than the confidential streets and homes of your childhood?

    Your glories are unfolding
    in a weave of divine symmetry,
    O, Prabhupada! Are the uncommon streets of Calcutta any less than these?


  40. From THE FALL OF EAGLES (Robert Graves)

    ‘Who groans beneath the Punic curse
    And strangles in the strings of purse,
    Before she mends must sicken worse.
    Her living mouth shall breed blue flies,
    And maggots creep about her eyes.
    No man shall mark the day she dies’


  41. PRAYER TO LORD NRSIMHADEVA (from BTG article, I do not know who the author is)

    My faith is in Your feet and the nails of Your toes, Lord Nrsimhadeva; Please protect me.
    My faith is in Your pillar-like legs and lotus petal-like chest, Lord Nrsimhadeva; Please direct me.
    My faith is in Your arms and Your razor-sharp claws, Lord Nrsimhadeva; Please destroy my obstacles.
    My faith is in Your mane and roaring red mouth, Lord Nrsimhadeva; Please vanquish my fears.
    My faith is in Your gnashing teeth and Your burning golden eyes, Lord Nrsimhadeva; Please give me strength.

    I am confused, Lord Nrsimhadeva;
    I place myself beneath Your feet.
    Please dispel my confusion.
    I am sad, Lord Nrsimhadeva;
    I beg You to stamp out my sadness.
    I am frightened, Lord Nrsimhadeva;
    I beg You to take me in Your lotus hands
    and destroy my fears with Your all-powerful claws.
    I am in illusion, Lord Nrsimhadeva;
    Please let Your glaring effulgence
    Destroy my illusions.

    My dear Lord Nrsimhadeva, I am afraid;
    I depend upon You, I take shelter of You,
    Without You I cannot exist.
    Let me take shelter under Your feet,
    Let Your roar tell me what I should do,
    Protect me with Your slashing claws.
    Only You can help me.
    My faith lies only in You.

  42. Max Says:

    STORM THROUGH THIS

    Shift
    breathe
    dance

    Storm
    through
    this


  43. PASSOVER (Ian Curtis song lyrics)

    Moving along in our God-given ways,
    safety is sat by the fire -
    Sanctuary from these feverish smiles,
    left with a mark on the door

    Is this the gift that I wanted to give?
    Forgive and forget’s what they teach -
    Or, pass through the deserts and wastelands once more
    and watch as they drop by the beach


    1. We were going on very nicely, but then a problem arose. It challenged the essence of our being. What am I to do? People change for no reason at all. I, myself, might change…for no reason at all.

      This is the crisis. Danger. Uncertainty. A breakdown of love and trust. Feverish smiles.

      The angel of death passes our marked door. Or we watch our problems drown like the Egyptian army in the Red Sea.

      And we are left with the question: ‘What will come next?’

      ['Passover' is a beautiful, cathartic song, by the great lyrical genius Ian Curtis from album 'Closer' by Joy Division]


  44. LOVE HOPE WORK
    PRAY SEE LIVE
    LAUGH CRY FEEL

    BLESS DREAM REACH
    SOAR SHARE RISE
    WORK RISK DO

    CLASP PEACE GRACE
    GOD HANDS FEET
    DANCE LOVE LAUGH

    HOPE LIVE LOOK
    FORGIVE BREATHE
    WORK BLESS HEAL

    KISS NURTURE
    LOVE KNEEL ASK
    HOPE END FEAR


  45. A,B,C,D,E
    Rings on each finger -
    A diamond on each tooth,
    You’re surely living proof
    Of what it takes to be the singer

    E, F, G, H, I
    Say ‘Hello’ to all you guys -
    Touring coast-to-coast,
    Living like a ghost,
    ‘Yo! Give “The King” the cordless mike!’


  46. So this is permanence -
    Love shattered pride,
    What once was innocence,
    Turned on its side

    It now hangs over me,
    Marks every move -
    Deep in the memory,
    What once was love

    (from Twenty Four Hours, Ian Curtis)


  47. WORLD LEADER PRETEND (Michael Stipe, REM)

    I sit at my table
    and wage war on myself -
    It seems like it’s all, it’s all for nothing;
    I know the barricades,
    and I know the mortar in the wall breaks,
    I recognize the weapons,
    I’ve used them well,
    fitted them myself.

    Chorus:
    This is my mistake,
    Let me make it good -
    I raised the wall,
    and I will be the one to knock it down…

    I’ve a rich understanding of my finest defences;
    I proclaim the claims are left unstated,
    I demand a rematch,
    I decree a stalemate,
    I divine my deeper motives -
    I recognize the weapons,
    I’ve practiced them well,
    I fitted them myself

    It’s amazing what devices you can sympathize (empathize)

    Chorus

    This is my world…
    and I am world leader pretend;
    This is my life and this is my time -
    I have been given the freedom to do as I see fit -
    It’s high time I razed the walls that I’ve constructed

    It’s amazing what devices you can sympathize (empathize)

    Chorus

    You fill in the mortar,
    You fill in the harmony,
    You fill in the mortar -
    I raised the wall,
    and I’m the only one…
    I will be the one to knock it down


  48. Jaya Sri Krishna Caitanya
    Prabhu Nityananda
    Sri Advaita, Gadadhara,
    Srivasadi Gaura-bhakta-vrinda


  49. YOU AND I

    I’m the fool,
    You’re the prudent -
    You’re the teacher,
    I’m the student

    You are meek,
    I’m defiant -
    I am rigid,
    You are pliant

    I’m trying,
    You’re sighing -
    You’re the law,
    I’m the crime -

    I’m the jester,
    You’re the king,
    I’m the hand
    You’re the ring

    You are virtue,
    I am weakness -
    You’re the cure,
    I’m the sickness

    I say black,
    You say white -
    You’re the day,
    I’m the night

    You are rich,
    I am poor -
    You’re the room,
    I’m the door

    I am iron,
    You are gold -
    You were bought,
    I was sold


  50. Instincts that can still betray us,
    A journey that leads to a sun,
    Soulless and bent on destruction,
    Struggle between right and wrong

    ‘Heart and Soul’- Joy Division


  51. TURN UP THE SOUND/HERBISTMANOTH (TONIGHT)

    tonight
    it’s quiet -
    white noise around

    the lights -
    they flicker -
    and they fade

    the lights -
    they flicker -
    and they fade

    tonight

    tonight
    it’s quiet -
    no-one around

    we’re fine -
    she says -
    and holds
    her ground

    the slightest noise
    reveals your mind -
    subtle realms -
    that leave us blind

    tonight

    it’s cold -
    it’s dark -
    gunfire –
    a shot -

    a shot -
    in the alley -
    blue lights -

    assassins
    in disguise -
    no police
    tonight

    tonight, tonight

    the lights -
    they flicker -
    and they fade

    oh, turn off the sound -
    turn up the sound,
    moving round,
    and round,
    and round…

    tonight

    Copyright – Mukunda Charan


  52. MADHURASTAKAM (Sri Vallabhacarya)

    adharam madhuram vadanam madhuram
    nayanam madhuram hasitam madhuram
    hrdayam madhuram gamanam madhuram
    madhuradhi-pater akhilam madhuram

    vacanam madhuram caritam madhuram
    vasanam madhuram valitam madhuram
    calitam madhuram bhramitam madhuram
    madhuradh-pater akhilam madhuram

    venur madhuro renur madhurah
    panir madhurah pado madhurah
    nrtyam madhuram sakhyam madhuram
    madhuradhi-pater akhilam madhuram

    gitam madhuram pitam madhuram
    bhuktam madhuram suptam madhuram
    rupam madhuram tilakam madhuram
    madhuradhi-pater akhilam madhuram

    karanam madhuram taranam madhuram
    haranam madhuram samitam madhuram
    vamitam madhuram samitam madhuram
    madhuradhi-pater akhilam madhuram

    gunja madhura mala madhura
    yamuna madhura vici madhura
    salilam madhuram kamalam madhuram
    madhuradhi-pater akhilam madhuram

    gopi madhura lila madhura
    yuktam madhuram bhuktam madhuram
    hrstam madhuram slistam madhuram
    madhuradhi-pater akhilam madhuram

    gopa madhura gavo madhura
    vastir madhura srstir madhura
    dalitam madhuram phalitam madhuram
    madhuradhi-pater akhilam madhuram


    1. The ‘Madhurastakam’ is a beautiful description of the sweetness of Lord Krishna:

      His lips are sweet, His face is sweet, His eyes are sweet, His smile is sweet, his heart is sweet, His gait is sweet. Everything about my Lord of Sweetness is sweet.

      His voice is sweet, his character is sweet, His attire is sweet, His speech is sweet, His movements are sweet, His wandering is sweet. Everything about my Lord of Sweetness is sweet.

      His flute is sweet, His foot-dust is sweet, His hands are sweet, His feet are sweet, His dancing is sweet, His friendship is sweet. Everything about my Lord of Sweetness is sweet.

      His singing is sweet, his drinking is sweet, His eating is sweet, His sleeping is sweet, His beauty is sweet, His tilak is sweet. Everything about my Lord of Sweetness is sweet.

      His deeds are sweet, His acts of deliverance are sweet, His stealing is sweet, His amorous play is sweet, His yawning is sweet, and even His chastisements are sweet. Everything about my Lord of Sweetness is sweet.

      His garland of gunja is sweet, His garland is sweet, His Yamuna River is sweet, and her waves, water and lotuses are all sweet. Everything about my Lord of Sweetness is sweet.

      His gopis are sweet, His pastimes are sweet, His paraphernalia and ornaments are sweet, His food is sweet, His delight is sweet, His embrace is sweet. Everything about my Lord of Sweetness is sweet.

      His gopas are sweet, His cows are sweet, His staff is sweet, His creation is sweet, His defeating of demons is sweet, and His bestowal of fruits is sweet. Everything about my Lord of Sweetness is sweet.

      Madhuram, madhuram, madhuram, madhuram
      Madhuram, madhuram, madhuram, madhuram
      Madhuradhi-pater akhilam madhuram


  53. THESE DAYS

    Morning seems strange
    almost out of place,
    searched hard for you
    and your special ways

    these days,
    please stay

    ‘These Days’ – Joy Division


  54. ‘This is the way the world ends:
    Not with a bang, but a whimper’

    ‘The Hollow Men’ – T.S. Eliot


  55. CATHEDRAL (A PRAYER FOR THE WHOLE WORLD)
    (Inspired by Rodin’s ‘Cathedral’)

    Close your eyes -
    What do you see?
    What would you say
    if you could speak
    to the whole world?

    Twist your wrists
    and turn your fingers -
    your hands have formed
    a perfect Cathedral

    Something you can sense -
    Some things don’t make sense,
    Things you see and touch,
    things within your grasp

    Arches and spires,
    angels and windows -
    The language of silence
    stops with each heart-beat

    Close your eyes -
    What do you see?
    Your turning wrists
    have formed a Cathedral

    Block your ears -
    Turn off the sound -
    A voice in your heart
    mouths a prayer for the whole world


    1. Metal blinds -
      steel rooms –
      Razor-wire
      no admission

      Walls of ignorance -
      I need contrition

      Lotus-like eyes
      I am breathless
      Hands like arches
      of your cathedral

      It hurts me to see
      the state of this world
      candlelight
      of the inner sanctum


  56. A DREAM WITHIN A DREAM (Edgar Allan Poe)

    Take this kiss upon the brow!
    And, in parting from you now,
    Thus much let me avow -
    You are not wrong, who deem
    That my days have been a dream:
    Yet if hope has flown away
    In a night, or in a day,
    In a vision, or in none,
    Is it therefore the less gone?
    All that we see or seem
    Is but a dream within a dream.

    I stand amid the roar
    Of a surf-tormented shore,
    And I hold within my hand
    Grains of the golden sand -
    How few! Yet how they creep
    Through my fingers to the deep,
    While I weep – while I weep!
    O God! Can I not grasp
    Them with a tighter clasp?
    O God! Can I not save
    One from the pitiless wave?
    Is all that we see or seem
    But a dream within a dream?


    1. One of my favourites when I was in high school.


  57. CORRUPTION OF VIRTUE

    I’m lord Despair in the never-ending night,
    You’re my only hope when all my hope is gone -
    I’m a patchwork man in a dreamy neverland,
    You’re my saving grace when all my grace is gone

    I’m lord Despair in the never-ending night,
    A blackened rose when all my red is gone -
    No hope for love in this gothic paradise,
    You’re my only hope when all my hope is gone

    I only want to be with you, my Lord -
    Yes, I only want to be with you, my Lord


  58. ETERNITY

    light drizzle outside
    feeling all sad
    in my cage

    wish you would express
    yourself somehow
    separation
    of an actor off-stage

    O Master!
    with your vision I could see
    for your vision holds

    eternity

    (Srila Prabhupada’s Disappearance Day, October 1998)


  59. THE SEARCH

    I searched for You – all over
    Through wastes and plains – all over
    Ways straight and strange – all over
    I searched for You

    ‘Did your search bear fruit?’
    ‘Did you find your truth?’
    ‘Did you find the root?’
    All over, I searched for you


  60. THESE FEET

    We’re two travellers
    travelling around
    and these feet
    keep me moving ’round

    We’re two travellers
    travelling around -
    in the hearts of Siva
    and Laxmi we are found

    We’re two travellers
    travelling the earth -
    and These feet
    keep me free from birth


  61. NEEDFUL THINGS

    You reckon ill who leave me out
    When Me you fly, I am the wings -
    I am the doubter and the doubt,
    I am the song lord Siva sings

    Appears the dark clouds never lift,
    Waiting for you and your special gifts;
    Waiting for you and the joy you bring,
    This is my prayer for needful things

    You reckon ill who say that Vaishnavas die
    When they are living in sound -
    Vaishnavas die to live and living try
    To spread the Holy Names around

    Appears the dark clouds never lift,
    Waiting for you and your special gifts;
    Waiting for you and the joy you bring,
    This is my prayer for needful things


  62. ‘If every man helps his neighbour, then who needs help’

    Graffiti on a wall in Salt River, Cape Town


  63. VICTIM

    Your real intentions
    hide behind words
    that are cast out easily -
    like a fisherman’s net
    in the sea

    In the sky,
    the moon eclipsed
    thinks himself
    unchanged

    It’s the tendency of the victim
    to want to shift the blame

    Your real intentions
    hide behind a wall
    of projected thoughts -
    which you, earnestly,
    hold to be true

    How could you possibly think
    I’d want to share your view?


  64. SATI RITE

    My heart beats fast,
    my husband’s lost -
    Sati rite

    The lick of flames,
    a thousand names -
    Sati rite

    Everything I ever knew,
    Everyone I cared about,
    Everything I held as true,
    Proves false now as my time runs out

    My bones, my hair, my skin
    are soon fine ash -
    in the Sati rite


    1. The Sati Rite is no longer applicable in our times, just like the modern-day ‘caste-system’ is a perversion of ‘daivi-varnashram’ or ‘divine social engineering’ in the modern age. Two wrongs don’t make a rite.

  65. suvarna manjari dasi Says:

    Beautiful poetry Mukunda Charan…did you write most of them?


    1. Yes. Thank you. The ones I didn’t write I credited the authors.
      How are you, Suvarna?


  66. HIDDEN SWEETNESS

    It’s snowing
    and it’s quiet -
    From the dark,
    undying light

    No way of knowing
    Your heart -
    We wake to a
    world of white

    I need good advice -
    Warm hands
    to melt the ice

    Serene and quiet -
    Your love is like the silence

    Walk on snow
    Watch love grow -
    From white-cold
    a golden glow

    Tell me now
    I want to know -
    Is this as far
    as we go?

    I’m going back
    to loving arms
    a Summer smile
    and silence

    I need good advice -
    Warm hands
    to melt the ice

    Serene and quiet,
    Your love is like the silence

    Copyright – Mukunda Charan


  67. WE LIVE IN COLOUR

    A world of grey
    greets us today -
    I’d stay and pray,
    But I miss my mother

    I live and die
    I live in white
    I live in black
    I live in colour

    A world of souls
    goes to the polls
    In God we trust
    Now dust forever

    I live in black
    I live in white
    I live in grey
    I live in colour

    You live
    in a sepulchral world -
    of black and white


  68. ONE MORE TIME

    One more taste
    One more touch
    One last peek
    And bite the dust

    One more time

    One more ride
    One more trip
    One last kick
    This is it

    One more time

    Our lifetime
    Smacks of crime
    Karmic seeds -
    Future deeds

    One more time

    Now we live
    Now we die
    Never asked:
    ‘Who am I?’

    One more time


    1. CONCERNED

      I am concerned about you

      About the places you might go,
      the things that you migh do,
      as new horizons will unfold
      as you begin your life anew

      I am concerned

      About the choices you might make,
      about the pressures that could break -
      of each and every mistake

      I am concerned about you


  69. CRIMINAL

    This is the story
    of my life -
    sounds like
    The Sorrows Of Werther

    This is the story-line
    and plot -
    Charlotte was betrothed
    to Werther’s best friend

    (The whole world is a prison:
    Who threw away the key?)

    Criminal desires won’t set you free

    You took me in
    to your game,
    I played
    your game -
    I’ll never be the same

    Maya is eight-armed -
    Yeah, she’s armed
    and dangerous -
    If her weapons don’t get you
    her tiger will

    (Wages of sin
    for a lifetime of shame)

    Criminal desires won’t set you free


  70. YOU KNOW THE ANSWER

    On all sides
    betrayal
    I ask, ‘Who is?’
    All fingers point to me

    On all sides
    - confirmation -
    of former wrongs,
    reactions in the world of karma

    Why?
    Only you know the answer

    On all sides
    - tests -
    - regrets -
    - victories -

    betrayal
    confirmation
    tests

    I am hoping for the best


  71. TOUGH QUESTIONS (THE UNDESERVANT)

    Why do you cry?
    Why do you sigh?
    You are breaking my heart
    into pieces

    I’m on the floor-
    this offering is Yours;
    No will of iron
    or deep feelings

    Come on, don’t cry -
    Why do you lie
    on – a – bed – of – nails?
    Be happy

    I am not your rival -
    I am your servant
    (undeservant – that’s me)


  72. I AM YOUR DOG (To Cadby)

    I am there when you get home,
    waiting for you all alone

    I am happy
    I am sad
    I am good
    I am bad

    I console you when you’re down
    I wait for you
    when you leave town

    If you leave me, on a plane,
    For your return I will remain

    I am playful
    I am cute
    I am sulky
    I am rude

    I’m excited when we walk
    I listen to you when you talk

    I am hungry
    I am moody
    I am loyal
    I am broody

    Light your candle –
    Go to bed -
    You are my human
    relative

    I look to you with liquid eyes,
    anticipate your next surprise –
    But my instincts make it hard
    to know that I’m a child of God

    I have no manners
    don’t mind me, please -
    I’m a connoisseur
    of cheeze

    I love my bath
    and guard my food,
    sometimes fiercely –
    ‘Is that understood?’

    ‘Where’s your boney?’
    ‘Where’s your toy?’
    Bring it here -
    ‘What a good boy!!’

    I am lonely when you go
    I am happy when we grow
    I was wild
    In my pack before

    The little dog
    who guards your door


  73. The Mystic (I Am Your Student)
    dedicated to His Holiness Radhanath Maharaja

    Leaving the wilderness of desire,
    I can feel I’m getting higher -
    On the mountain-peak of your shoulders:
    Feeling younger, growing older

    Were you here with me this time,
    I would be a better person -
    You could teach me how to love
    and I would be your eager student

    In the springtime of our joy,
    All my sorrows are destroyed,
    Looking outward, turning in -
    Your compassion makes me think

    I’m the fool
    You’re the prudent
    You’re the master,
    I’m your student

    I’m just a swimmer in your ocean,
    Tasting nectar, spitting out poison;
    In the shade of your garden
    all my troubles are forgotten

    You’re the witness,
    You hold the key -
    To my heart -
    You set me free


  74. FORGETFULNESS

    We’ve forgotten how to use our hands,
    We’ve forgotten the language of the heart -
    We’ve lost ourselves in television,
    We’ve lost ourselves in competition

    We know each other’s net worth,
    and we take another birth
    I am not being true
    if I think I am better than you


  75. WORDS

    Sound,
    my old friend:
    I am with you,
    once again

    I am word,
    I am force -
    At your service,
    dutifully yours

    A signature
    across the sky,
    friend;
    Watch me love,
    see me grow

    In the confines
    of your stage,
    under the glowing
    sun’s good gaze

    You kept everything
    from me…

    But words


  76. DOMINO EFFECT

    I write
    so it counts,
    I write
    so it hurts
    to paint words

    somebody cut off my hands,
    somebody ruined my plans

    I write
    to find
    my voice,
    I write
    to veto,
    make a choice

    somebody stole my sky -
    somebody never asked why?

    I write
    to chronicle
    my death,
    Who will be first?
    domino effect


  77. MY NEWEST FRIEND (BLONDIE)

    You’re fine,
    I don’t even know you
    but you’re okay

    In the land of the blind
    the one-eyed man is king,
    if you get my drift?

    I don’t even know you
    but I think you are okay;
    first impressions last,
    first impressions fade away

    Hey, blondie!
    You’re not even blonde
    but that’s okay

    Your problem is that
    you think everyone’s the same;
    your problem is
    you don’t have any shame

    How can you compare ignorant
    people to people in knowledge?
    How can you compare people who
    strive for perfection to fools?

    ‘We are never going
    to see each other again’ -
    ‘Good luck, anyway’ -
    “love of my life”
    and newest,
    dearest friend


  78. MACCLESFIELD (HEART OF THE POET)

    Dedicated to Ian Curtis (1956-1980) and the Eternals

    There is a park near the poet’s house.
    A park, with lovely green lawns
    and green mossy trees

    There is a lake with two giant swans.
    I’d like to meet him;
    I’d like to see his other side,
    his emerald-green heart

    Watch a parade of fools – wiser than us -
    laughing, passing us by the water’s edge
    near the lush, green hills of Macclesfield

    I would not find him
    in the glass walls of the city

    No

    I hear his anguished cries
    in the red-brick;
    in what he wanted to be;
    in the degradation of his quiet.

    How nice it would be to take a stroll through the town,
    walk the dog on the lawn
    and just sit somewhere inside…

    and talk…

    Copyright – Mukunda Charan Das


  79. I AM WORLD WEARY

    Love you from a distance,
    love you from up close;
    When we were together
    love was our fine rose

    An academic exercise,
    a dream that fades away -
    Why could we not be happy
    with the love that came our way?


  80. STREAM (OF CONSCIOUSNESS)

    I cast, with my eyes of Adam, a hopeful look
    towards the entrance of the mall

    I long for my escape
    How do I get out?
    Anaesthetized

    Love centre dawn

    The other side of the mall
    I call it the “Dark Side of the Moon”

    It is a place I rarely go


  81. DREAM

    the angels are sleeping
    but aware
    of you

    in mountains
    smooth marble
    ledges

    thinking
    ‘he is one of us’

    trapped in stone
    trapped by desire

    aware of evil
    as we make progress


  82. The novelty of writing an MA wore off. It became a job, just like anything else. Since most of the archival material were government records, it felt like I was studying law all over again – but in retrospect. I was struggling to synthesize my philosophical readings with my project on the slave trade. It was also very difficult to come up with a thesis – an argument or theory – based on the source material I was studying. I was breaking my head trying to figure out what it was I was trying to say. It took three months for my MA proposal to be accepted. My supervisor was encouraging, but exacting. Every meeting with him seemed to suggest starting everything over again.

    The positive side of this experience was that it was sharpening my intellect and improving my ability to analyze. I started an exercise regimen to help me cope with the long hours in the archives or in front of the computer. I was trying to eat more healthily too. I wanted to kill my old self, in the Nietschean sense. I wanted to become a better person. I had studied ethics in order to understand why people acted in certain ways. Now I was beginning to establish a code of ethics for my own existence. I was like a Spartan, living myself out of history. Context and place were becoming very significant to me in terms of living in the present. I also felt that I was developing a better understanding of my past and my own life.

    The professors were always saying, ‘Write! Write!’ I wanted to get the MA over with, so I obliged them. My spiritual awakening and my ethical approach to life gave me the strength to face that mammoth task. I would set my uncle’s shamrock rosary above my bed. It was from the six months he had spent in the seminary, training to be a Catholic priest. I was slowly becoming aware of my spiritual purpose. I had certain God-given abilities and it was my duty to work according to my talents, rather than pursuing things that were not really in my nature.


  83. POETIC

    I don’t know why these feelings hurt so much,
    to place so much importance in one person,
    to feel so much with the heart

    I don’t know if I want to go any further,
    the trail has brought us this far,
    to have it all shattered right away

    I was happy in my own little world,
    I was happy I wasn’t vulnerable,
    like now, and now I have to build it all again


  84. TRUTH AND BEAUTY

    Where are you now, God’s beautiful child?
    Where are you now, my beautiful one?
    You went away…and I don’t know what to say

    Down in the depths of some infernal dream -
    Caught in the cogworks of a soulless machine

    You went away, you went away

    Where are you now, this treacherous night?
    Where are you now, so silent and shy…in the rain?
    (Yeah, I missed you, once again)

    Where did you go? Where did you go?

    Crossing the water,
    Climbing the walls,
    La belle dame sans mercy

    has thee in her thrall

    I guess you know

    And I’m left here to wonder


    1. HERE AM I

      Here am I sitting in the sun -
      Waiting, I’m waiting -
      Will you ever come?

      Where are you? Feeling blue?
      Hope some day to find you
      Laughing in eternal life

      Hope some day to find you -
      Some things are just so hard to find.


  85. WESTERN DEEP LEVELS

    Western Deep Levels.
    City Deep.

    Western Deep Levels.
    Down to the sea.

    City of Gold
    Soldier’s keep

    Where God
    sent torture deep

    City green
    in a dream
    each address
    manifests

    Relate
    take time -
    next take -
    next time

    Seize the fire,
    crack the nod -
    See the saints
    walk with God

    Relate
    take time -
    next take -
    next time


  86. PYRAMID SONG (Radiohead)

    I jumped in the river and what did I see?
    Black-eyed angels swam with me -
    A moon full of stars and astral cars,
    all the things I used to see -
    All my lovers were there with me
    all my past and futures,
    and we all went to heaven in a little row boat -
    there was nothing to fear and nothing to doubt

    There was nothing to fear and nothing to doubt

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