March 2013


The following is a class from the Srimad Bhagavatam, Canto 6, chapter 9, text 52, given by His Grace Jananivas Prabhu on the 9 March 2007 at Sri Sri Radha-Gopinatha Mandir, Chowpatty, Mumbai.

Indra is probably the most desirable position in the material world.  The position of Indra affords the most material enjoyment because Indra is king of the heavenly planets.

The Hari Bhakti Vilas provides a beautiful meditation on Krishna.  It describes how His shark-shaped earrings reflect on His shiny cheeks; the masses of His black, curly hair; how He is lying on a couch, playing His flute.  The demigods appear before Krishna (in his majestic feature).  They are offering prayers to Him.  The Gandharvas are there also.

There are 8,400,000 different types of bodies in this world – all based on different combinations of material desires.

The bulls and the cows come and see Krishna.  That is called santa rasa (love of God in neutrality).  There are also the babies, with bells on their ankles, the cowherd boys and the elder gopis.  The gopis faces are half-covered and their eyes are half-closed.   They are trying to see Krishna.  They are trembling uncontrollably.  They try to suppress their trembling, so the bells around their waists and ankles won’t ring. 

These are meditations for pujaris (priests of the Deity).

The neophyte devotee’s objective is to see the Deity form of Krishna in the Temple.  Ideally, we should also see Krishna in everyone’s heart.

Srila Prabhupada was on Juhu beach with one of his disciples, Dravida Maharaja.  They were looking at the ocean.  Srila Prabhupada asked, ‘What do you see?’  Dravida replied, ‘Krishna.’  Srila Prabhupada asked, ‘How?’  Maharaja answered, ‘I am the taste of water.’  Prabhupada looked a the salty water, ‘See.  This is the energy of Krishna.’

Sometimes you look at Radha-Gopinath (the Deities at the Mumbai Temple) and you see it’s Krishna.  You don’t have to analyze.  The gopis see a black tamala tree.  Radharani embraces the tamala tree.  All Her friends laugh at Her.  It’s not that they don’t see a tree – but they see Krishna (the tamala tree is black like Him).  They see things, but they see Krishna present in them.

The demigiods are not pure, unalloyed devotees.  Even in Vaikuntha.  In Vaikuntha they are pure, but they are not unalloyed.  The residents of Goloka Vrindavan are unalloyed.  The devas or demigods are devotees, but they are thinking of their desires.  Pure, unalloyed devotees only want Krishna’s pleasure.  Caitanya Mahaprabhu came to teach that.

Indra will kill Vritrasura with the bones of Dadici.  Vritrasura knows this.  When Indra drops his weapon, Vritrasura says, ‘Pick up your weapon and kill me.  It is Vishnu’s will that you kill me.’

The demigods fear death because they do not want to lose their position.  Srila Prabhupada, ‘Do you believe in reincarnation?’  The devotees, ‘No.  We are going back to Godhead.’  Prabhupada, ‘Lord Caitanya’s waiting for the devotees with a Sankirtan party.’

The Srimad Bhagavatam will bring out the particular relationship we have with Krishna.  The Bhagavatam gives all the different relationships you can have with Krishna.

The devotees do not want anything.  For example, Hanuman.  If Lord Rama wants Hanuman to have liberation, he’ll take it.  But, if it interferes with his service, he’ll reject it.

Who has come to give this essence of what Caitanya Mahaprabhu came to give? Krishna came 5,000 years ago.  He performed divine pastimes.  He left instructions, sarva-dharman parityajya – just surrender unto Me.  People couldn’t follow such a high standard in the Age of Kali.  So, Caitanya Mahaprabhu came – with no demands.  Just giving.  Freely giving vraja-prema.  Mahaprabhu’s our hero.

There is a prediction.  All the different sampradayas (disciplic traditions in India) will fall under Caitanya Mahaprabhu’s Sankirtan mission.  Caitanya Mahaprabhu declared, ‘I will give them the opportunity to taste vraja-prema.  This is the maha-mantra.’

We are eternal.  We have an eternal relationship with Krishna.  Simultaneously, we have come from Krishna – aham sarvasya prabhavo.  ‘Make an eternal change!’   You can change your eternal relationship.  There is the example of Shymananda.  He had a relationship of friendship with Krishna, but obtained a relationship in the conjugal rasa.  He changed his attitude in the association of Jiva Goswami, Narrottama and Srinivas.  His guru beat him with a stick, ‘Why are you crying in ecstasy hearing the pastimes of Radha and Krishna?  You don’t know what pleasure you’re missing in sakhya rasa.  You’re taking something lower!’

You cannot change you eternal position as servant of God or Krishna – jivera svarupa haya krisnera nitya das.  Bhaktivinoda Thakura explains different relationships.  If you want material relationships – even with your own family.  When you’re realized, you can even have an eternal planet with your own family!  This is called satya sankalpa.  When you are pure, everything you desire becomes manifest. If you want to be a friend of Krishna, you can take birth in a family of gopas (cowherds), where their association will draw that relationship out.  You will get the association of nitya-siddhas (eternally perfect souls) and take birth as a gopi with gopis – if that is your pure desire.  The mood has to be empowered by devotees.  Thereafter, you go to the Spiritual World or the Kingdom of God.

You can change your body in the material world, so why not spiritually?

Image of a modern fountain pen writing in curs...

Image of a modern fountain pen writing in cursive script. (Photo credit: Wikipedia)

Based, in part, on my discussions with a respected and prolific South African author.

It is best not to be too conscious about the process.  Don’t cripple yourself.  Don’t break your own mirror.

The writing of books is like a journey and, sometimes, you reach the end.

Go with the flow.  Let it come from the unconscious.

Don’t get diverted by interesting facts or ideas that are only indirectly related to the task at hand.  Don’t waste time.

Historical novels leave room for details, for example the way servants might kneel at the hearth in 18th century Dutch South Africa would be reasonable for an historical novel.  Such portraits from daily life add to the texture of a fiction or a description of the past.  They do not necessarily fit into a standard historical narrative.  On the other hand, a ‘standard’ historical narrative need not be embellished.

Read classics.

Be mindful of mistakes when reading languages that are not your first language.  You will avoid embarrassment and (possibly severe) criticism.  You will earn the respect of those proficient in those languages.

Get feedback from other writers, friends, acquaintances, the man in the street.

For historical novels, familiarize yourself with the historical setting.  Visit museums, historical places, look at books on costumes etc.  Speak to experts on the field.

Write with a pen or pencil or fountain pen.  Write on paper.  Computers tend to give writing a cut-and-paste effect.

‘Most history is written in prose; and the selection of the material, the organization into narrative and the choice of language show that it is a created form, an art’ – Phillipa Gregory

‘Fiction is not wholly the creation of an imaginary world, any more than history is the total description of a real one’ – Phillipa Gregory (Historical Novelist)